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This song gave headbangers a new band, a new groove that to this day Disturbed has never really bested, and for those without a reliable internet connection in 2000, a world of wonder surrounding the non-English word Draiman hauntingly sings in the song’s bridge (it was “tefached,” Hebrew for “be afraid,” by the way). Oh, “Stupify,” the industrial funk-inspired hellraiser that was, as some have surely forgotten, Disturbed’s very first single. This track performed live is something to witness: thousands of fists thrust skyward, mimicking Draiman. “Ten Thousand Fists,” Ten Thousand Fists, 2005ĭisturbed often preaches unity - before the “we are disturbed!” chant at the end of every Disturbed concert, Draiman refers to the audience as “my brothers, my sisters, my blood.” The band’s belief in conviction and community is encapsulated here in “Ten Thousand Fists,” the titanic title track from an album that saw the band loosen its sound a bit to allow more styles - and even a few guitar solos - while still harnessing its booming drums and crunchy guitar shreds. If you wore JNCO jeans and went to Ozzfest in the early ‘00s, don’t act like you didn’t scream the hook “waiting for your modern messiah!” while driving around town, shunning those who Draiman had deemed “so narrow-minded.”Ĥ. The staccato verse, which completely cuts out all sound for a few jarring moments, is a sonic bulldozer giving way to one of the band’s most anthemic choruses. Not a tune for the prim and proper - Draiman drops no less than 17 “motherfucker” bombs in this jam off Believe - but a colossal cut nonetheless.

#BIG BANG VOL. 2REMEMBER ALBUM FREE#

Oh, the good old days (about 10 years ago) of Draiman being wheeled out on stage in a straitjacket Hannibal Lecter-style and then breaking free to sing this song before arena-sized crowds. Talk about a song that never lets off the gas, from Draiman’s primal growls and shouts to the sludgy breakdown that doubles down on the song’s themes of insanity: “Can’t you imagine how good going through this will make you feel?” Draiman speaks under the melody, an evil mantra willing someone to violence. The song that technically started it all for Disturbed, 2000’s propulsive opening track “Voices,” remains a fan and band favorite for good reason: it rips through your speakers like a grizzly bear.

Go to a Disturbed concert and wait for the band to slip in “The Game” - old-school fans will lose their freaking minds. The mania within Draiman boils hot in the verse and explodes in the syncopated chorus.

This might be Disturbed’s most nu-metal jam, with its bits of digital programming and staggered, mega-distorted riffing. Sure, other tracks from The Sickness have developed more speakable legacies over the last 18 years, but no tune from the band’s seminal debut is quite as free-swinging a wrecking ball as “The Game.” It’s an angry, electro-infused thumper that portrays Draiman as a scorned lover, wailing at his ex for her apparent dishonesty. Draiman’s shouting is boosted by Donegan’s stellar fretwork, which ultimately defined Disturbed’s first album produced solely by Donegan, and scored “Inside The Fire” a Grammy nomination for best hard rock song in 2009. It’s an exceedingly dark and aggressive track that bounds with both fists thrusting forward, told from the perspective of Satan, speaking to Draiman about his deceased love, “Devon,” and how he himself should join her in hell.

While much of the Disturbed catalog is anchored by vaguely apocalyptic or violent motifs, the lead single off 2008’s Indestructible is autobiographical, inspired by the real-life suicide of Draiman’s teenage girlfriend.

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“Stricken” was the onl y Ten Thousand Fists track to crack Hot 100 (No. This was a formulaic jam that received plenty of MTV play in ‘05 and might have been the tune to bring your little brother aboard the S.S. But if you can manage to leave those anxieties behind with your XBox 360, you’ll recognize this single off Ten Thousand Fists as a well-measured cut that signified what was likely Disturbed’s most accessible album.

If you were swept up by the Guitar Hero video game wave of the late ‘00s, you may still suffer stress dreams where you’re trying to perfectly nail the distorted licks and searing solo of “Stricken” on Expert mode. Yet 2015 saw the best revamp to date: a triumphant, orchestral and mesmerizing treatment of Simon and Garfunkel’s 1964 dirge “The Sound Of Silence.” Not only is it a window into Draiman’s clean baritone vocal ability - some of his patented serration comes later in the tune - but it unexpectedly earned Disturbed its highest Billboard Hot 100 chart position ever (No. You better believe we’re opening this ranking with a cover! Disturbed has a history of killer tributes to non-metal songs, from Tears For Fears’ “Shout” in 2000 to Genesis’ “Land Of Confusion” in 2005, the latter of which notched them a No.

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